East Asia, Features Liam Elliott Brady East Asia, Features Liam Elliott Brady

The ‘Righteous Thief’ Liao Tianding, and How His Legacy is Shaping a New Generation of Taiwanese Resistance

East Asia columnist Liam Elliott Brady, currently on his year abroad in Taiwan, looks at the development of the Taiwanese legend Liao Tianding (1883-1909). From his death at the hands of Taiwan’s Japanese occupiers in 1909 to his deification in online gaming, Liao Tianding remains a potent symbol of Taiwanese independence. As popular discontent with the current Taiwanese president’s ‘soft China policy’ grows, the revival of Liao Tianding reflects a hallmark Taiwanese culture: the turn to folklore as a source of hope in an era defined by unprecedented uncertainty.

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East Asia, Features S.C. Jat, Linguistics Editor East Asia, Features S.C. Jat, Linguistics Editor

Egg Tarts (ft. the British Empire) [Cantonese Remix]

The egg tart is one of Hong Kong’s cultural trademarks, and a staple of Cantonese local cuisine. However, this sweet treat is not wholly unique to the city, and has its origins halfway across the world. Stephanie Jat delves into the history of the dish that marked her childhood, and details the remarkable journey which brought egg tarts to the table of the masses in Hong Kong.

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East Asia, Reviews Bingbing Shi East Asia, Reviews Bingbing Shi

Railway Guerrilla Stories Retold in China

Remake after remake concerning the role played by China’s northwestern guerrilla fighters during the Second Sino-Japanese War (1937-45) show a cinematic tradition that is still going strong in the 70 years since its inception: in this article, Staff Writer Bingbing Shi reviews Railway Heroes (2021), a remake of Zhao Ming’s 1956 classic, Railway Guerrilla, as well as the evolution of the Chinese ‘resistance genre’ as a whole.

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East Asia, Features Hannah Kang Wolter, East Asia Editor East Asia, Features Hannah Kang Wolter, East Asia Editor

Blank Scrolls: Emptiness in East Asian Art & Philosophy

Staff Writer for East Asia, Hannah Kang Wolter, explores the technique of negative space in Chinese art and the corresponding notion of emptiness in East Asian philosophy. Her medium for doing so - a comparison of the 2008 blockbuster film, Kung Fu Panda, and Huang Gongwang’s traditional Chinese landscape paintings from the 14th century.

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