Asia
China, photographed by Isaac Ohringer
The Symbolic Multilayers of Japanese Obento
Reflecting on the treatment of food and obento in the films of Studio Ghibli, Anja Gogo explores the significance the Japanese packed lunch in a wider social context, delving beyond its surface function as a vehicle of nutrition.
Hayao Miyazaki, Studio Ghibli, and the ‘Environmental Message’
Staff Writer Hannah Kang Walter reimagines how we should define Studio Ghibli films in terms of their so-called ‘environmentalism’, reflecting on Hayao Miyazaki’s self-ascribed status as a ‘lover of nature’ rather than a staunch environmentalist.