Marcelina Palamar introduces us to the complicated work of Jan Matejko, one of Poland’s most famous artists, revealing that despite Matejko’s grand intentions, a failure to consider his spectator’s lack of contextual knowledge eventually betrays him.

In another insightful exploration of Eastern European artists, Marcelina Palamar takes a look at the eccentric Bruno Schulz. Discussion of his use of the cliche-verre technique, his fusion of identities and the critical response to his work all come together in this informative piece on the artist and his life.

Camille McCarthy gives us her thoughts on consuming Russian culture in an ethical way. Her thought-provoking manifesto encompasses the legacy of empire and the regime’s official patronage initiatives, as well as the thorny question of how to define a nation’s culture.

Marcelina Palamar tells us about the wonderful dough creations that are pierogi, as well as giving us an idea of their cultural (and personal) significance.

In another insightful re-assessment of Polish art, Marcelina Palamar introduces us to the eccentric genius, Stanisław Szukalski.

Marcelina Palamar re-evaulates the work of Zdislaw Beksinksi, taking a fresh look at the themes and wealth of symbolism that characterise his work.

In this festive piece, Marcelina Palamar tells us all about Polish Christmas traditions and reflects on celebrating in two new homes.

Sofia Johanson explores the significance of Natalia Goncharova, separating her status as defiant, rule-breaking woman from her artistic innovations which captured the shifting and instability of the 20th century in Russia.

Phoebe Page takes a look at the changing faces of cultural heritage protection movements in Ukraine, focusing on the architectural remnants of Ukrainian modernism and their difficult intersection with the Soviet legacy.

Sofia Johanson takes a look at the convoluted history of Fabergé eggs, exploring how they went from epitomising tsarist decadence to being at the centre of international disputes and mysteries even today

Tom Paterson discusses the fascinating history of clandestine literature in the Soviet Union and its travestied perception in the West.