In this article, Tabitha Rubens considers Zhang Xu Zhan’s 2022 solo exhibition, Jungle Jungle, and the tussle between tradition and modernity in Taiwan's contemporary art scene.

Staff Writer Hannah Kang Walter reimagines how we should define Studio Ghibli films in terms of their so-called ‘environmentalism’, reflecting on Hayao Miyazaki’s self-ascribed status as a ‘lover of nature’ rather than a staunch environmentalist.