In this intriguing article, James Lewis explores his impressions of the Moldovan capital Chișinău. From the Moldovan comedy scene to bleak taxi rides, from domestic politics to the Moldovan bid to accede to the EU, Lewis offers an insightful commentary of the current state of affairs in Moldova.

In this probing article, CLC staff writer Faith Martin delivers an insightful commentary on the hidden background of Yugoslav Turbofolk. She explores the historical, political and societal facets of this genre and, in doing so, uncovers the secrets of this unique musical movement.

German editor Freya Swinburne takes us on a tour of the German memorial landscape as she traces forgotten pasts through Gunther Deming’s Stolpersteine.

Marcelina Palamar introduces us to the complicated work of Jan Matejko, one of Poland’s most famous artists, revealing that despite Matejko’s grand intentions, a failure to consider his spectator’s lack of contextual knowledge eventually betrays him.

Drawing on a wealth of primary materials from the Middle Ages and an array of secondary literature, Staff Writer Jude Jones explores the how the body of Christ is fundamentally queer in an eloquent and sophisticated piece.

Staff writer Ollie Merriman explores the intercultural dynamics that converge on Strasbourg. In his explorations of the culture, architecture and history of this French border city, Ollie not only considers the identity of Strasbourg itself, but, rather, Europe as a whole.

Rosa Hollier Phelps takes us around the Museum of Soviet Occupation in Tbilisi, Georgia, exploring the legacy of Communism in her new home.

Following a personal visit to a Kokoschka exhibition, Einav Grushka examines the context behind ‘degenerate art’ and how Viennese artist, Oskar Kokoschka, came to be associated with the term.

In this fascinating article, Jack Seery investigates President Putin’s relationship with history, and the influence it has on the present.

Cameron White explores the ways in which Spain’s New Democratic Memory Law has revealed the tensions underlying the pursuit of justice for Francoism’s victims, which are tied up with questions of narrative and memory.

Wiktoria Mól discusses Germany’s response to the conflict in Ukraine and explores its cautiousness to avoid repeating history.

Rebecca Nolten writes about Germany’s artists and how their work has lacked appreciation in art history.

Through a historical lens and a deep-dive into symbolism, Anja Gogo unravels the musical gomitolo that is Bella Ciao, a resistance anthem per eccellenza.

Sophie Williams-Dunning explores the latest rift in France and Britain’s historically fraught relationship, but argues that ultimately the two countries would do well to put their differences to one side.