In a series of striking photographs, Léa Girard explores the confluence of the old and the new in the urban landscape of the French capital

Through observations of this carnivalesque fever dream, European Editor Anja Gogo reviews Pirandello’s play, its linguistic landscape and its permeating nostalgia.

What does it mean to be à la mode in Paris? How do the Parisians always appear so effortlessly chic? In this ode to the simple things in life, staff writer Chiara Lewis explores the timeless beauty of the French capital.

In this article, Geordie Cheetham looks at Houellebecq’s first published work, a biography of the American author H. P. Lovecraft. How does disgust with the modern world become a fitting object of literary study, when Houellebecq approvingly cites Lovecraft’s disdain for all forms of realism? And what does a corpse surrounded by shopping trolleys Nouvelles Galeries have to do with it?

We are told that love is a primal force: innate, ahistorical, transcendental and above society. But how can something be truly innate if it is a concept that exists within the act of telling? CLC Columnist Mila Edensor explores such intriguing questions in this excellent analysis of early modern Portuguese poetry. From the unrequited love of men in the late 1500s, to the ‘passport bro’ of today, Edensor skilfully explores what this obscure poetry can mean for us today.

In this intriguing column, CLC Columnist Geordie Cheetham expertly explores the man behind some of France’s most popular tales of anomie and despair: Michel Houellebecq.

Accompanied by an English translation, Nadia Sorabji Stewart offers an intriguing interview with co-curator of the Nicolas de Staël exhibition at the Paris Musée d’art moderne. Providing an introduction to the world of de Staël and insights into curatorial practices, this probing interview is not to be missed.

In this probing article, CLC staff writer Faith Martin delivers an insightful commentary on the hidden background of Yugoslav Turbofolk. She explores the historical, political and societal facets of this genre and, in doing so, uncovers the secrets of this unique musical movement.

In this entertaining excursion of an article, CLC columnist Freya John takes us on a culinary tour of Bilbao as she recounts her love affair with the ‘incredible, edible, small delights: pintxos.’

In this whistle stop tour of Yugorock, European Staff Writer Kirsty Turnbull delivers an enthusiastic and engaging introduction to the Yugoslav rock scene of the 1980s. From politics to playlists, this article covers it all.

In an intriguing analysis, William Lan explores the folklore surrounding the beloved Christmastime figure of Sankt Nikolaus and his shadowy counterpart Krampus.

Lucy McCulloch explores the distinctive style of Marina Abramović and questions whether the contemporary sanitization of her art is a sign of something more troubling

In this illustrative article, columnist Soraya Shakibi reflects on her evening spent at the Royal Society of Literature and the Royal Drawing School, exploring the life of virtuoso Portuguese artist Paula Rego. From history, to feminism, to fairytales, Shakibi takes us on an engaging tour of Portuguese culture as portrayed by Rego.

In this acerbic commentary, Staff Writer Chiara Lewis critiques British attitudes towards language learning based on her observations from her time in Paris.

In the first instalment of her column, European columnist Freya John explores the mystery of Euskera, the language of the Basque Country. From its linguistic background, to its sociopolitical significance, John offers an insightful overview of this minor language.

Go through enough Soundcloud rave mixes and you’ll likely come across a thick Slavic accent drooling stereotypical Russian buzzwords – “high track-speed, vodka no limit” – over a hard-bounce bassline. This is хардбас, or hardbass, a bizarre mutation in EDM’s already-contorted family tree that momentarily exploded the ears of Saint Petersburg’s perestroika-era youth at the end of the millennium only to slink into obscurity and, more recently, back out.

From regional language policy, écriture inclusive, to linguistic evolution and xenophobia, European staff writer Chiara Lewis offers an eloquent and probing critique of the famed Académie Française.