In another insightful exploration of Eastern European artists, Marcelina Palamar takes a look at the eccentric Bruno Schulz. Discussion of his use of the cliche-verre technique, his fusion of identities and the critical response to his work all come together in this informative piece on the artist and his life.

In this thoughtfully considered article, staff writer Beattie Green sensitively reviews Olivia Wenzel’s debut novel 1000 Serpentinen Angst. In doing so, she explores the questions it raises, which, in some way or another, come to affect all of us.

Staff writer Ollie Merriman explores the intercultural dynamics that converge on Strasbourg. In his explorations of the culture, architecture and history of this French border city, Ollie not only considers the identity of Strasbourg itself, but, rather, Europe as a whole.

In an honest and personal account abput identity and memory, Gwenno Robinson explores her relationship with the title of the Prince of Wales.

Sam Rubinstein explores themes of displacement and Polish-Jewish searches for belonging in Maurycy Szymel’s inter-war poetry

Elle Shea investigates the relationship between Cristiano Ronaldo and the Portuguese national identity.

In his column ‘Between Wars, Between Identities’, Sam Rubinstein explores key issues of early twentieth-century Ashkenazi Jewish poetry, including antisemitism in Eastern Europe prior to the Holocaust, literary debates over the use of local vernaculars in Jewish poetry and expression, and Jewish nationalism and the beginnings of the Zionist movement. In this first column, he takes a look at the divide in Polish Jewish literary circles over language choice, and how key actors reconciled language with their evolving identities.