In this article, Geordie Cheetham looks at Houellebecq’s first published work, a biography of the American author H. P. Lovecraft. How does disgust with the modern world become a fitting object of literary study, when Houellebecq approvingly cites Lovecraft’s disdain for all forms of realism? And what does a corpse surrounded by shopping trolleys Nouvelles Galeries have to do with it?