Maddy Guha gives insight into the run up to the highly anticipated 2024 Georgian parliamentary elections through the eyes of Georgian citizens and her observations whilst on her year abroad.

In this intriguing column, CLC Columnist Geordie Cheetham expertly explores the man behind some of France’s most popular tales of anomie and despair: Michel Houellebecq.

In this probing article, CLC staff writer Faith Martin delivers an insightful commentary on the hidden background of Yugoslav Turbofolk. She explores the historical, political and societal facets of this genre and, in doing so, uncovers the secrets of this unique musical movement.

In this whistle stop tour of Yugorock, European Staff Writer Kirsty Turnbull delivers an enthusiastic and engaging introduction to the Yugoslav rock scene of the 1980s. From politics to playlists, this article covers it all.

In this acerbic commentary, Staff Writer Chiara Lewis critiques British attitudes towards language learning based on her observations from her time in Paris.

In the first instalment of her column, European columnist Freya John explores the mystery of Euskera, the language of the Basque Country. From its linguistic background, to its sociopolitical significance, John offers an insightful overview of this minor language.

Lara Zand explores new political party Sumar’s potential to reinvigorate the country’s progressive politics

Le donne silenziate: in this first instalment, Hannah Burfield focuses on the general background of unequal power dynamics within Italy. She expands on traditionalism, in anticipation of the 20th century emergence of feminism

Staff Writer Dylan Stewart explores the new landscape of Italian politics in this interrogative article that explores the intersection of womanhood, politics, and the future of Italy.

‘Instead, Ciotti might realise too late that he was never Hercules, but Sisyphus.’ Staff Writer Jensen Hawkes explores whether or not Éric Ciotti can become a leader in French politics.

Columnist Freya Swinburne discusses the rise in prominence of Pomme and her feminism-themed music.

Reflecting post-election, Olivia Solomons provides the contextual grounds that led to a far-right outcome, exploring the unique position of Italy’s young voters, contrasting other European countries.